The Criterion Channel

Hell On Earth: Our Reviews of ‘Come and See’ and ‘The Painted Bird’

Hell On Earth: Our Reviews of ‘Come and See’ and ‘The Painted Bird’

Martin Scorsese’s World Cinema Project: Our Review of ‘Pixote’

Martin Scorsese’s World Cinema Project: Our Review of ‘Pixote’

The Criterion Channel: Directed by Rainer Werner Fassbinder

The Criterion Channel: Directed by Rainer Werner Fassbinder

Martin Scorsese’s World Cinema Project: Our Review of ‘A Brighter Summer Day’

Martin Scorsese’s World Cinema Project: Our Review of ‘A Brighter Summer Day’

Martin Scorsese’s World Cinema Project: Adolescent Masculinity in ‘A Brighter Summer Day’

Martin Scorsese’s World Cinema Project: Adolescent Masculinity in ‘A Brighter Summer Day’

Martin Scorsese’s World Cinema Project: Our Review of ‘Black Girl’

Martin Scorsese’s World Cinema Project: Our Review of ‘Black Girl’

Life’s a Big Hot Mess: A Tone-Deaf Explanation for Why I Couldn’t Focus on ‘Targets’

Life’s a Big Hot Mess: A Tone-Deaf Explanation for Why I Couldn’t Focus on ‘Targets’

The Poetry of Precision: Our Review of ‘L’argent’

The Poetry of Precision: Our Review of ‘L’argent’