Built For Streaming: Our Review of ‘Point Blank’ (2019) on Netflix

Posted in Movies, Netflix, What's Streaming? by - July 12, 2019
Built For Streaming: Our Review of ‘Point Blank’ (2019) on Netflix

Sometimes you’ve just got to go for the ride…

New to streaming today, Point Blank is an entertaining but fairly run of the mill action thriller that runs in the cheap and cheerful category but is hardly anything that is terribly memorable either.

When his pregnant wife is kidnapped and held as collateral, Paul (Anthony Mackie), an ER nurse, must team with the badly injured career criminal and murder suspect (Frank Grillo) under his charge in order to save the lives of his wife and unborn child. Pitted against rival gangs and a deadly ring of corrupt cops, the unlikely duo finds a way to survive together in the fight of their lives.

Ultimately, Point Blank is a low I.Q., high octane kind of a movie that you don’t necessarily have to think all that much about but you’ll ultimately enjoy when you put it on while cooking or vacuuming.  It holds fairly true to its original French version but that’s neither a good nor a bad thing.

Director Joe Lynch fits into this mold nicely and has a knack for making film that movie fast and don’t deal with too much nonsense like exposition and character development.  It’s got just enough of what it needs to set us on its ride.  The action is decent and it has a solid pace to it allowing us to get straight into the action.  Lynch lets it all feel crisp and genuine while working on an obvious budget while the script from Adam G Simon pulls pretty well from the original that was written and directed by Fred Cavayé.  It’s simply supposed to push us down the rails on a ride that we’ll get engrossed in and from that perspective it does its job fairly admirably.

Anthony Mackie is likable but also fairly non-descript as the male nurse Paul who is learning that he’ll do pretty much anything to protect his soon to be family.  He’s a solid leading man and he holds the frame well but ultimately isn’t given much to do here other then play the straight laced guy next to Frank Grillo’s crook with a heart of gold.  They have solid chemistry together but there really isn’t a single thing about this entire feature effort that is screaming “must see”.  Marcia Gay Harden as the crooked Lieutenant Lewis is decent enough and seemingly enjoying playing against type but is handcuffed by some pretty simplistic material.

There’s nobody really bad or not doing their job in Point Blank, as it’s a watchable and entertaining affair in the moment and while it would have never seen the light of day from a theatrical standpoint, it’s just fine for Netflix on a lazy Friday or Saturday night when you just can’t be bothered to go out.  It’s a fine little time waster; nothing more; nothing less.

  • Release Date: 7/12/2019
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David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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