A Shining Light: Our Review of ‘Nawi: Dear Future Me’

Posted in Movies, Theatrical by - March 11, 2026
A Shining Light: Our Review of ‘Nawi: Dear Future Me’

Sometimes you have to be the hero, even when your own story goes badly…

In theatres now, Nawi: Dear Future Me is an inspirational tale that reminds us that dreams never truly die, even when those who hold them are confronted with some of the true horrors of the world.

This is the story of 13 year old Nawi (Michelle Lemuya Ikeny) who finds out that her father is selling her to a much older man for a herd of goats.  Defying an old (and now illegal tradition) she chooses to fight her impending marriage and embark on a journey to reclaim her dream of joining high school.

I’ll be honest, on paper; Nawi: Dear Future Me should not have worked and devolved into a ham handed “movie of the week” style affair that was trying to draw attention to the issue of young girls being sold into marriage in places like the Turkana region.  That being said it actually works quite well thanks to the enlightened performance from lead Michelle Lemuya Ikeny which projected a level of maturity and heroism often not seen in stories like this.

This film had four directors and three writers in the spirit of it being a “collaborative effort” of the NGO “Learning Lions”.  It’s not a formula for success, especially considering that only two of the four directors actually had any experience but it ultimately thrives by not trying to tell a story that is broad and geo political but one that is personal and 100% compelling.

Obviously we can get behind the strife of young Nawi, particularly as she begins her escape to a new life but it’s as the narrative progresses and we see Nawi not only understand her fate, but more importantly understand how her story and her sacrifice could be used to help not only others in her immediately family but others as well.

Despite having no previous acting experience, Michelle Lemuya Ikeny lights up the screen with pure charisma and power as we see Nawi’s journey.  As much as she was one, the young woman was never a victim and it’s such a vital lynch pin in the movie as she uses her gifts and intelligence to evoke change in her family who are under the thumb who are under her thumb and can’t break from traditions even when he thinks he’s doing the best for his family.

Ultimately; Nawi: Dear Future Me is not a perfect movie, but I dare say it’s an important one because it serves as a reminder that even in the dark of situations (like being a Child Bride which is still a huge global problem) it’s possible for a little bit of hope to shine through.

This post was written by
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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