TIFF 2024: Our Review of ‘Better Man’

Posted in Festival Coverage, tiff 2024 by - September 18, 2024
TIFF 2024: Our Review of ‘Better Man’

With musical biopics being quite the rage nowadays, filmmakers are using different ideas and framing devices, only covering a specific portion of a career or specific performances for example. Better Man, the new Robbie Williams biopic from The Greatest Showman director Michael Gracey, takes this concept even further by depicting Williams in the film as something he frequently described himself as, a dancing monkey.

Abandoned by his father Peter (Steve Pemberton) at age 9, Robbie Williams (voiced by Robbie himself) grew up with his mother (Kate Mulvany) and his beloved Nan (Alison Steadman). Determined to make his father proud, Robbie sets out to be famous, leading him to a cattle call audition for a group called Take That. Five years Later, drowning in drugs and alcohol and proving to be unreliable on tour, Robbie leaves Take That and sets out on his own. Robbie starts a relationship with All Saints singer Nicole Appleton (Raechelle Banno). Then, he becomes further disillusioned with fame after Nicole is pressured into an abortion to “save her career”. Years later, after finally bottoming out, Robbie literally fights his demons on stage during a legendary Knebworth performance.

Better Man, despite being led by a CGI monkey, is a wonderful surprise. Blatantly open and laid bare, Robbie Williamns exposes his entire life here, not withholding any punches and still manages to affect the audience through this facade. Touching and compelling throughout, Better Man is a revelation. And the Rock DJ dance sequence is nothing short of glorious filmmaking.

This post was written by
"Kirk Haviland is an entertainment industry veteran of over 20 years- starting very young in the exhibition/retail sector before moving into criticism, writing with many websites through the years and ultimately into festival work dealing in programming/presenting and acquisitions. He works tirelessly in the world of Canadian Independent Genre Film - but is also a keen viewer of cinema from all corners of the globe (with a big soft spot for Asian cinema!)
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