Subtle Humanity: Our Review of ‘After The Storm’

Posted in Movies, Theatrical by - March 21, 2017

There’s something to be said about that genuine, unadulterated beauty that we find in those subtle moments of life and it takes a storyteller truly attune with the human experience to really understand them and make them come to life on the big screen.  Enter writer/director Hirokazu Koreeda whose films capture that essence so damn well, and his latest After The Storm serves all that up as fate and circumstances allows a father who has fallen from grace in his own family a chance to redeem himself.

Ryota (Abe Hiroshi) can’t shake his past glory as an award winning author and ends up wasting what money he does make as a private detective on gambling and can barely pay his child support.  After the death of his father, his aging mother Yoshiko (Kiki Kilin) and his beautiful ex-wife Kyoko (Maki Yoko) seem to be moving on with their lives and without him.   Renewing contact with his initially distrusting family who think that he’s just looking for a cash fix, Ryota struggles to take back control of his existence and to find a place in the life of his young son Shingo (Yoshizawa Taiyo).  He ends up spinning his wheels until a stormy summer night offers them a chance to truly bond again and Ryota finds a way to get back into existence as a fully fledged member of his family.

Stories that cross language barriers and I mean REALLY cross language barriers are more special then I can even express some days, but for writer/director Hirokazu Koreeda it’s just another day at the office.  With After The Storm we get a beautiful mediation about the eternal struggle with being a better person and the person that we want to see ourselves as.

Koreeda as both writer and director allows for such subtle glimpses of humanity in every movie that he makes and here with After The Storm we get such raw and fragile humanity on display as our lead character is a tired and broken shell of a man who barely knows how to exist in the world that is around him.  He’s not necessarily despondent but he is self-destructive as his apathy towards the family life that he feels like he deserves.  Koreeda’s no signature languid pace plays into the narrative to damn near perfection on this effort as it allows everything to play out so honestly that it is just a marvel to watch unfold in front of our eyes.  He hits us with the hard truths of life like being slowly submerged into water.  We know what’s coming but we are never quite sure when to take a breath and it all makes for an emotional vibrant and bracing experience.

While so many of Koreeda’s films are truly about the ensemble, this film really is anchored by a surprisingly tender and epic leading performance.  Abe Hiroshi is the rock that this film needed.  As Ryota we get the desperation, confusion and shame of a man who has gotten lost along the way and doesn’t quite know which way to turn.  He never takes it to areas of overt dramatics or histrionics and allows us to feel the genuine and flawed warmth of the man.

It won’t be for everyone, but Koreeda’s After The Storm is yet another example of what a vital artist this man truly is as he creates stories that work for anyone looking to soak up and embrace the power that storytelling truly can unleash on the world.

  • Release Date: 3/17/2017
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David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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