It’s Worse Then You Think: Our Review of ‘The Strangers: Chapter 3’

Posted in Movies, Theatrical by - February 06, 2026
It’s Worse Then You Think: Our Review of ‘The Strangers: Chapter 3’

Even pointless things have to come to an end…

With The Strangers: Chapter 3 we get what is basically the equivalent of a wet fart in church as the most pointless cinematic trilogy of the 21st century comes to a close as it tries to leave us with hope that it could have ‘maybe’ been something entertaining but instead makes you as an audience member to want to clock the speed at which grass itself grows.

In the final film of The Strangers trilogy, Maya (Madelaine Petsch) faces the masked killers one last time in a brutal, full-circle reckoning of survival and revenge.

This is really one of those things that in “concept” had the potential to be interesting, but when you take the approximate 4 hrs and 45 min of total run time between these three movies, and think that ‘maybe’ you could have squeezed out a passable 85 minutes…that’s probably not a good sign.

Director Renny Harlin certainly makes it all look good, but these scripts that think they are manufacturing a slow burn simmering tension throughout are actually just SLOW.  To call the pacing languid would be kind because the revels are so slow and when you combine that with basic acting, underwhelming action (for a horror movie, none of these films have been all that horrific) and nothing to really get invested in, these films (this last one in particular) just kind of ‘happen’.

I honestly don’t think I’ve ever seen a movie insist it’s pointlessness on me this much…EVER.  It’s like it’s going through the motions as a formerly bankable film director puts the own nails into the coffin that is his career.

It’s unfortunate because Madelaine Petsch as our “final girl” isn’t without potential here, but rather than making us actually care about her, she’s used as a place holder as we see the fairly uninteresting back story of ‘The Strangers’ unfold in this non-descript creepy middle American town.  Gabriel Basso barely emotes as our lead ‘Stranger’ and none of the actors really get a chance to make a mark so that we can care one way or another about them.

Sadly; The Strangers: Chapter 3 is just a lifeless cinematic experience; all three of these movies actually commit a worse offense then being poorly made.  They are just painfully dull, as a critic I can work with a ‘bad’ movie when it at least feels like people are trying, but ‘The Strangers: Chapter 3’ needs to go back to the drawing board, because no one actually cares about it, especially the people that made all three of these snooze fests.

This post was written by
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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