Human Rights Watch Festival 2020: Our Review of ‘I Am Not Alone’

Human Rights Watch Festival 2020: Our Review of ‘I Am Not Alone’

Rebellions start with a simple and often quiet act of defiance…

Kicking off the Human Rights Watch Festival down at the Bloor Hot Docs Cinema tonight here in Toronto; I Am Not Alone is a poignant doc about the power of the masses in the face of an oppressive regime, and even though it occasionally leans into some overly cinematic moments it still packs quite a punch.

On Easter 2018, a man puts on a backpack and begins to walk across Armenia. His mission: to inspire a velvet revolution – and topple the corrupt regime that enjoys absolute power in his post-soviet nation. With total access to all key players, I Am Not Alone tells the miraculous story of what happens in the next 40 days.

Writer/Director Garin Hovannisian crafts a slick affair that actually works for and against him in many ways.

The film looks quite good and has a genuine flow to it with a well structured narrative that keeps us bouncing between the facts of the politics and the issues on the street as we follow our protagonist on his quest to generate some real political and social change for his country.  It never once feels preachy and takes care to get us invested in these people as we see everything unfold.

On the flip side though, while the very nature of filmmaking and storytelling is to manipulate its audiences, Hovannisian doesn’t use a light touch but rather a large hammer to ultimately get his message across.  It’s not a bad thing, but it’s just really obvious.

Ultimately, I Am Not Alone certainly does a lot more right than it does wrong and it serves as a salient reminder of what people are capable of when fighting for the freedom and democracy that is their right.

  • Release Date: 1/30/2020
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David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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