Hot Docs 2019: Our Review of ‘The Sound of Masks’

Hot Docs 2019: Our Review of ‘The Sound of Masks’

Before stories we’re told through words, we told them through dance…

It’s a story of a collision between the past and the present as we meet Atanásio Nyusi, a compelling storyteller and legendary Mapiko dancer takes us on a visually dramatic journey through Mozambique’s past and present.

The Sound of Masks uses a healthy blend of archival and contemporary footage to really encapsulate the life’s work of this man; to preserve his country’s history through dance and while it’s more now about being preserved than anything else, the rebellious side of it cannot be denied and the concern for it surviving after he has passed on is something incredibly real to him.

While director Sara CF de Gouveia uses some really stark and often beautiful imagery this is truly a film about the importance of not only tradition but being able to pass them down through the generations.

Atanásio makes for a wonderful subject and through this art form he does allow us as a viewer to not only get a sense of history but also those emotional perspectives of particular moments that are passed down.  They may change and evolve but it always feels like it’s an incredibly important function of the dance to not only comprehend the story it tells but to really connect with it as well.  That’s really what is at the core power of any art form, for it to transcend the place it comes from but time itself.

All in all, The Sound of Masks is a film that is about preserving not only our stories, but it’s about preserving the ways that we all uniquely express ourselves all over the world.  It’s the essence of an international story as it’s something that we don’t have to think about, it’s just ingrained in us.

  • Release Date: 5/1/2019
This post was written by
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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