Pro Forma Blockbuster: Our Review of ‘The Mandalorian and Grogu’

Posted in Movies, Theatrical by - May 22, 2026
Pro Forma Blockbuster: Our Review of ‘The Mandalorian and Grogu’

We have reached a tipping point, where we can have the blockbuster, just be another movie…

The Mandalorian and Grogu is a perfectly acceptable large scale science fiction action movie that will fit right in to the summer popcorn driven season.  However the realities and the lore of the Star Wars franchise having been boiled down into something fairly standard are now more real than ever.

The evil Empire has fallen, and Imperial warlords remain scattered throughout the galaxy. As the fledgling New Republic works to protect everything the Rebellion fought for, they have enlisted the help of legendary Mandalorian bounty hunter Din Djarin (Pedro Pascal) and his young apprentice Grogu.

Thankfully this film manages to succeed because it doesn’t rely on any show or series mythology and just crafts a well-made space yarn with good action set pieces and characters we can get behind.

In a fairly unassuming way, Jon Favreau morphed himself into one of the safest and there by one of the most bankable filmmakers in Hollywood.  Not because he’s a genre defying auteur who’s pushing boundaries with ground breaking cinema, but because he can stage action and keep a story moving about as efficiently as humanly possible.  It’s hard to believe the guy from Swingers has carved himself a niche as one of Hollywood’s go to blockbuster directors, but there it is.

He’s not reinventing the wheel, but with his can of cinematic WD-40 he simply does nothing wrong as we get roped up into the proceedings.

It’s hard to say this without being overtly disrespectful, but the ensemble is….fine and they understand the job in front of them.  Pedro Pascal is perfectly affable as our stoic hero and especially with his little green side kick Grogu along for the action.  Not a ton of range is required but it’s a nice arc to see a guy who’s spent his entire life as a nomad finally accept that he’s found himself a family.  Sigourney Weaver gets to come along for the ride to make the occasional sarcastic remark as a New Republic commander and Jeremy Allen White as Rodda The Hut (son of Jabba) get to flex some character muscles alongside some out of left field voice acting work from Martin Scorsese but there really isn’t any moment here that stands out for its actual, you know….acting.

Ultimately, The Mandalorian and Grogu is blockbuster movie….but without the “event” part.  There’s nothing wrong with it as it is a well-made piece of popcorn cinema.  However any kind of lore, specialness or magic previously associated with the franchise is basically over.  This is an effective big screen adaption of a TV show….and there’s nothing wrong with that, as long as that’s all you want.

This post was written by
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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