Hindsight Can Be Painful: A Review of ‘Amy’

Posted in Movies, Theatrical by - July 10, 2015

When a beloved musical talent leaves this mortal coil far too soon, it is always a sad thing especially that now in hindsight, we should have seen it coming.  Amy is a heartbreaking tale told in Winehouse’s own words and lyrics as we track her rise to prominence and in hindsight realize that we should’ve seen her tragic fall coming from a mile away.

Amy or Amy Winehouse was a once in a generation talent that captured the attention of the entire planet the very second that she opened her mouth to sing.  An authentic jazz artist who looked inward for her own voice and laid herself emotionally bare through her lyrics as she analyzed her own life with raw and unflinching honesty.  It earned her a legion of adoring fans but the kind of media attention that not many are equipped for and this along with her precarious lifestyle caused her life to fall apart to the point where she died of alcohol poisoning.

I can’t honestly say that Amy is what you’d call a great documentary, but it is a gut-wrenchingly memorable one as it rises above the tabloid element and we understand why she died in her own words.

Director Asif Kapedia, coming off of the success of his film Senna in a very similar way.  No static interviews or talking heads, it is 100% archival footage and voice over from those who knew her best.  This method tracks her life in a way that is both sympathetic but absolutely unbiased.  It’s the rise and fall of a star, and when we genuinely look at her words which Kapedia deftly sprinkles across the screen it plays as such an incredibly tragic affair as this woman was simply never built for the spotlight.  The tragedy here comes in the form that Kapedia uses, it doesn’t matter if you know her story or not, it is just a train wreck that is coming from miles away.  He lets us wallow in the fact that nobody stopped it, she was a fragile talent that the world demanded more then she was capable to give.  The film not only shines a light on the cult of fame and how she was at the beginning of her career trying to be packaged into something that she was not, but also on the cult of fan and how she could never separate herself from the people that adored her and the people who wanted to see her crash and burn.  Seeing her dad, Mitch Winehouse (who has recently distanced himself from the film) come down to the islands where she is trying to recharge her batteries and get away from it all with a reality film crew is something that will make your heart break and want to punch the screen at the exact same time.

Ultimately, Amy is a hard but loving tribute as we get to relish in the talent that she was, and mourn the fragile artist that couldn’t survive the weight of the world that her talent brought down on her shoulders that simple couldn’t bare it.  She was one of a kind, and while it is probably a little too brutal for the casual fan, for the music aficionado…it is a must see.

Amy-Winehouse-Wallpapers-

  • Release Date: 7/10/2015
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David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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