BITS 2019: Our Review of ‘Dead Dicks’

BITS 2019: Our Review of ‘Dead Dicks’

You’ve got to crawl down before you can crawl up…

While Dead Dicks admittedly has an awkward and uneven tone it ends up being a pretty good gore fill ode to the ravages of mental health and how far we’ll go for those we love.

After Becca receives a distressing call from her suicidal brother Richie, she rushes over to his apartment and finds him alive and well – surrounded by copies of his own dead body.

If Canadian indie horror could have its own version of a PSA then Dead Dicks is probably it as it goes somewhere most audiences never would expect.

The writing/directing team of Chris Bavota and Lee Paula Springer admittedly stumble while setting up the action but it all unfolds in such a way that we can’t help but be intrigued.  Allowing a good chunk of it all to play in reaction shots from our leads (rather than SFX) is a strong signal of indie filmmaking where they accentuate the positive, saying to hell with the rest.  It’s a little too ‘talky’ in the first act, but once it gets to the crux of the matter in showing the horrors of being trapped in your own psychosis and having to help loved ones who seemingly can’t help themselves, then it becomes a really engaging piece of cinema.  It’s a credit to both Bavota and Springer who have taken something that’s a little goofy on the surface, but actually has something more serious to say the closer we get to the end.

Stars Heston Horwin and Jillian Harris actually carry the dynamic of the movie well once it all gets going and that’s why Dead Dicks works.  Once you get past the absurd of it all, it actually had something unique in the genre to say.

Dead Dicks screens with the short film Sky So Blue which is a demented little home invasion story that gives audiences a fresh and unique twist.  Director Tyler Williams puts a real shine on a very good looking short film that pairs well with Dead Dicks.

  • Release Date: 11/23/2019
This post was written by
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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