TIFF Next Wave 2020: Our Review of ‘Children Of The Sea’

TIFF Next Wave 2020: Our Review of ‘Children Of The Sea’

Animation allows for us to go to some interesting places that we otherwise couldn’t…

In Children of the Sea we meet Ruka; when she was younger she saw a ghost in the water at the aquarium where her dad works. Now she feels drawn toward the aquarium and the two mysterious boys she meets there, Umi and Sora. They were raised by dugongs and hear the same strange calls from the sea as she does. Ruka’s dad and the other adults who work at the aquarium are only distantly aware of what the children are experiencing as they get caught up in the mystery of the worldwide disappearance of the oceans’ fish.

The honest to goodness magic that comes out of movies from GKIDS is the unequivocal sense of wonder that we get while watching stories that are actually trying to make a statement rather than just be a fun story.  That’s what Children of the Sea is in spades.

Director Ayumu Watanabe’s stunning adaptation of the prize-winning manga by Daisuke Igarashi is one of those films that needs to be seen on as big of a screen as humanly possible.  With some sweeping vistas and stellar underwater sequences we get the feel of something from another world that still maintains a very grounded and real world message about the state of our oceans.

Sure the kids in it look a little weird, but it also makes them all exceptionally relatable as we learn why these kids are getting these calls from the ocean that only they know about.

Children of the Sea is the kind of film that is indicative of Japanese anime.  It’s strong and beautiful storytelling with an honest message that audiences of all age can really grasp on to.

  • Release Date: 2/16/2020
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David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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