The Importance of Purpose: Our Review of ‘Working Man’

Posted in Movies, VOD/iTunes/DigitalDownload by - July 16, 2020
The Importance of Purpose: Our Review of ‘Working Man’

It’s important to have purpose especially when faced with some pretty dramatic change…

While Working Man isn’t a movie with a lot of flash to it, it’s a fascinating little character study about the state of the working class and the importance for people to have genuine purpose in their lives.

In the Rust Belt of America another factory is closing. After decades on the job, the reclusive Allery Parkes (Peter Gerety) finds himself out of work. Allery attempts to bide his time. However, despite the best efforts of his wife (Talia Shire), a loose-ended existence just doesn’t take and he starts sneaking into the closed factory. At first, Allery does this alone, but in time he gains an unexpected ally in a passionate former co-worker who turns on the electricity and turns up the volume in Allery’s previously secluded cocoon. Soon, other former employees want in on the action. They all take occupancy and restart production in an effort to pressure their bosses to reopen the facility. For the first time, Allery is the man in charge. However, when truths are revealed, this working man must confront the loss and pain he’s been working so hard to avoid.

Even though Working Man occasionally leans into some overt melodrama it has a real message as writer/director Robert Jury captures a tone that evokes memories of seventies cinema that lets us feel like Barbara Kopple directed Norma Rae.

It’s a story that just rings incredibly honestly from beginning to end.  Writer/Director Robert Jury doesn’t amp us up with any flashy moments or storytelling tricks and it’s a little shocking how quietly this all unfolds.  It’s small town/lower middle class American in the midst of economic upheaval which is something that is easily relatable for all kinds of audiences and Jury isn’t trying to make any kind of political or social statement and it’s very clear that he’s looking at the people in this town that are looking at a lack of meaning in their lives.  That’s what this movie is all about.  It’s not a condemnation of corporate America (which it does a little bit) but it’s a look at the people who work and live in these settings and then have the rug pulled out from underneath them.  It reminds us that adaptation to things that happen in our lives is necessary, but it’s incredibly hard and never easy and that a lack of purpose for people who dedicate their lives to jobs in these types of neighbourhoods can simply be devastating.

This all come through in an excellent performance from veteran character actor Peter Gerety in his very first leading man performance.  There’s nothing flashy about it, but there’s a real power to it as he tackles this man who is trying to deal with this monumental change in life and re-discover his purpose for simply getting up in the morning.  It’s something so many people and so many men struggle with, coping with the grief of change in life, no matter what it is.  It’s not a home run but Gerety really makes it feel real with a quiet energy that feels nothing but genuine.  Billy Brown is strong opposite Gerety as another man with genuine problems and difficulty facing changes in life and the icon that is Talia Shire is quite good opposite Gerety.

At the end of the day, Working Man isn’t a perfect film as it gets clunky with a couple of story revels and it leans into the melodrama of the moment a little hard like a TV movie but it’s something that is honest and speaks to the time that we’re living in with real perfection and marks Jury as a storyteller to keep an eye on.

  • Release Date: 7/17/2020
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David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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