TIFF 2025: Our Review of ‘The Furious’

Posted in Festival Coverage by - September 11, 2025
TIFF 2025: Our Review of ‘The Furious’

Opening with the generic “Somewhere in Southeast Asia” header, director Kenji Tanigaki sets up the audience for a smorgasbord of different backgrounds, fighting styles, and dialects all converging at once in The Furious. The film opens with the indomitable Jija Yanin, star of the TIFF classic Chocolate, as reporter Matia. Investigating the trafficking of children, Matia is forced into action when she sees one child being abused, resulting in a phenomenal opening fight that sets the tone for the rest of the film.  Months later, we meet Wei (Xie Miao), a handyman whose skills belie a different skill set once his daughter is abducted off the street. During his dogged pursuit of the abductors, Wei crosses paths with Navin (Joe Taslim), Matia’s husband, and the pair form an unlikely duo set upon destroying the entire crime syndicate responsible.

Kenji Tanigaki is well-versed both as a director and a fight choreographer, and this experience shows with some excellent fight sequences and some of the most believable ‘1 man vs a crowd fighting’ I’ve seen on screen. The Furious ranks up there with the aforementioned Midnight Madness classic Chocolate, as well as  The Raid, Ong Bak, and SPL as one of the hardest hitting films of this programming shingles’ history.

But my favorite performances come in the form Wei’s spunky daughter Raini, played by Enyou Yang, the deranged turn as the main villain from Joey Iwanaga, and stunt performer/ actor Brian Le’s scene-stealing turn as a hard-headed henchman that won’t stay down.

People are fighting against each other

Image Credit: Courtesy of TIFF

 

This post was written by
"Kirk Haviland is an entertainment industry veteran of over 20 years- starting very young in the exhibition/retail sector before moving into criticism, writing with many websites through the years and ultimately into festival work dealing in programming/presenting and acquisitions. He works tirelessly in the world of Canadian Independent Genre Film - but is also a keen viewer of cinema from all corners of the globe (with a big soft spot for Asian cinema!)
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