TIFF 2024: Our Review of ‘Viktor’

Posted in tiff 2024 by - September 17, 2024
TIFF 2024: Our Review of ‘Viktor’

A war documentary tackling a different side of the conflict in the Ukraine, veteran war photographer Olivier Sarbil directs Viktor with a knowing eye. Starting one day before the first day of the conflict and running through the first year, Sarbil introduces us to Viktor Korotovskyi, a deaf Ukrainian citizen desperate to fulfil his duty.

Living at home with his mother in Kharkiv, Viktor grew up, under the eye of his late father, with delusions of grandeur. Enraptured by old Chinese cinema and Samurai culture, even having katanas of his own he often practises with, Viktor just wants to help his country. Having lost the majority of his hearing at 5 years old, Viktor’s communication skills are severely hampered, which excludes him from fighting. But its through another passion that Viktor finds a way in, his photography. Eventually his hard work pays off in the form of him becoming an official press photographer, working near the front lines.

With the director himself suffering from some hearing loss, and the sound design team behind the Oscar winning Sound Of Metal, Viktor delivers its audience into a whole world of auditory deprivation, utilising many tricks to bring the audience into Viktor’s world. The film also examines the nature of the relationship between war and people’s desperate need to volunteer in service to one’s country, and the lengths people will go. Viktor proves to be a fascinating watch in not just its main subject, but everything else he captures in his lens too.

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"Kirk Haviland is an entertainment industry veteran of over 20 years- starting very young in the exhibition/retail sector before moving into criticism, writing with many websites through the years and ultimately into festival work dealing in programming/presenting and acquisitions. He works tirelessly in the world of Canadian Independent Genre Film - but is also a keen viewer of cinema from all corners of the globe (with a big soft spot for Asian cinema!)
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