TIFF 2023: Our Review of ‘The Convert’

Posted in Festival Coverage, Movies, Theatrical, TIFF 2023 by - September 14, 2023
TIFF 2023: Our Review of ‘The Convert’

Co-written and Directed by Lee Tamahori, The Convert is the story of preacher Thomas Munro (Guy Pearce) who arrives on a grand tall ship to the desolate settler town of Epworth that is simply like nothing that he could have ever imagined.  While he finds himself looking for a new life he quickly gets entangled in the local politics of the area because in spite of the growing colonial British presence in the early 19th century, Aotearoa (aka New Zealand, it is all still very much a place dominated by Māori.  More of a ramshackle collection of buildings then a settlement they find themselves in a very precarious position placed between two waring tribes.  Having saved the life the daughter of one of the chiefs of the tribes, Munro finds himself trying to create peace not only between the two warring factions but also with the settlers who are stuck in their ways.

While admittedly being fairly predictable, Tamahori still does a solid job with The Convert taking us into the cultural tensions of the situation and allows for it to feel like a morality play with a little bit of action sprinkled in.

The Māori are never denigrated as “simple” tribes people and Pearce with his sage movie star presence manages to tow the line between a weak man of god and a man of action who knows how to get things done.

The Convert will never be accused of being flashy, but it’s solid entertainment.

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David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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