Scares are one thing….but when there’s an idea behind them it makes it all that much more potent and believable.
On this episode we are getting into the Halloween swing of things with a new movie that is hitting Cineplex theatres this coming Friday. It’s time to Prey For The Devil.
Sister Ann (Jacqueline Byers) believes she is answering a calling to be the first female exorcist… but who, or what, called her? In response to a global rise in demonic possessions, Ann seeks out a place at an exorcism school reopened by the Catholic Church. Until now these schools have only trained priests in the Rite of Exorcism – but a professor (Colin Salmon) recognizes Sister Ann’s gifts and agrees to train her. Thrust onto the spiritual frontline with fellow student Father Dante (Christian Navarro), Sister Ann finds herself in a battle for the soul of a young girl, who Sister Ann believes is possessed by the same demon that tormented her own mother years ago. Determined to root out the evil, Ann soon realizes the Devil has her right where he wants her.
It’s a fresh take on the subgenre of the exorcism movie and it takes a compassionate and logical angle on the issue as well, but don’t worry there’s still plenty of creepy moments to have you on the edge of your seat.
We had the unique pleasure of sitting down with director Daniel Stamm and (Toronto’s own) Jacqueline Byers to talk about the origins of the story, the importance of the idea behind it all and so very much more….
Prey For The Devil is in Cineplex Theatres this coming Friday October 28th.
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper.
He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others
However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene.
Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate.
All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
<div class="widget"> <h3 class="widgettitle">Recent Reviews</h3> <ul id="recent_reviews">
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<em>3 ½</em>
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<li><div class="recent_line star_4"><a href="https://intheseats.ca/hot-docs-2026-our-review-of-kenny-loggins-conviction-of-the-heart/" title="Hot Docs 2026: Our Review of ‘Kenny Loggins: Conviction of the Heart’">Hot Docs 2026: Our Review of ‘Kenny Loggins: Conviction of the Heart’</a>
<em>4 Stars</em>
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