The Female Perspective: Our Review of ‘Furie’

Posted in Movies, Theatrical by - March 10, 2019
The Female Perspective: Our Review of ‘Furie’

Hell hath no fury like a woman…or more importantly a mother scorned…

Furie is a simple affair, but it’s also executed to damn near perfection and it makes for a high octane trip to the theatre that this incredibly entertaining.

When a little girl is kidnapped by a trafficking ring, they soon find they messed with the wrong child. Her mother, a notorious former gang leader, is close on their trail and will go to any lengths to bring her daughter home.

Female driven action films can come from anywhere and Furie is no exception as it’s an efficiently lean and mean thriller that is carried by an incredibly strong leading performance.

Writer/Director Le-Van Kiet was born and Vietnam but learned his trade at school in America to come back with a myriad of genre efforts like House In The Alley which was a smash hit in Vietnam but here with Furie not only has he found his genre, but his muse as well.

The plot is incredibly simplistic, but that’s all it needed to be as the action ride that he takes us on once it all kicks off is downright frenetic from beginning to end.  The film rarely takes a breath and that actually works in its favor as we follow our heroic mother down this dark rabbit hole looking for her daughter.

The material knows exactly what it is and stays in its lane to such a tee that there countless filmmakers out there who’d actually learn something by simply watching Furie.  It’s a singular character on a singular goal with the bare minimum of supporting players to cause distractions along the way.  Kiet keeps the audiences gaze on our heroine and rightly so because with the wrong casting this entire film could have easily fallen apart.

Star Veronica Ngo who is a director and producer in her own right was a masterful choice for the leading role of Hai Phuong.  She balances feminine vulnerability with some genuine bad ass swagger and she’s pursuing her kidnapped daughter.  The action sequences were intense and she more than holds her own in some bone crunching moments that was all surprisingly PG.  Despite the lack of blood and cursing the action was hard hitting and intense which just goes to show that you can deliver violence that an audience feels without having to make that much of a mess along the way.

With Ngo having the potential of being a genuine cross over star in the making, Furie succeeds where others have failed, in making a simple but intense action thriller from a woman’s perspective.

  • Release Date: 3/8/2019
This post was written by
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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