Pushing Past The Obvious: Our Review of ‘My Sole Desire’

Pushing Past The Obvious: Our Review of ‘My Sole Desire’

Those moments of self-discovery, can certainly get a little complicated.

Debuting on VOD and the Film Movement Plus streaming service now; My Sole Desire is a fascinating collision of self-discovery and emotion as the lines between playing in the worlds of sexuality and seeing people for who they are become incredibly blurred.

The Paris strip club; À mon seul désir (My Sole Desire) is home to a mesmerizing troupe of seductive female performers. Like a moth to a flame, newcomer Manon (Louise Chevillotte) is drawn to their sensual allure and adopts the stage name Aurore. Among her fellow dancers is audience favorite Mia (César Award winner Zita Hanrot), a beautiful, aspiring actress who moonlights at the club unbeknownst to her live-in boyfriend. From identifying which clients she should avoid to booking private dances, Mia serves as a trusted guide on Manon’s erotic journey. But even as Manon begins to experiment with riskier propositions that Mia will not pursue, it is not long before the two begin to develop romantic feelings for one another. Navigating the complexities of this new life, Manon must face questions about her sexuality as the line between professional and personal desire starts to blur.

Writer/director Lucie Borleteau allows the audience to own the fascination with the human costs behind eroticism that doesn’t shy away from the cold realities of it all while shining it through a rather empowering and wholesome female gaze.  The whole thing acknowledges that self-exploration in these areas can get a little weird and that’s actually OK.

It’s not shot with any kind of a lurid gaze and the ladies are always in the driver’s seat in this world which is why this film actually works as well as it does.  Borleteau doesn’t really present anything in all this as “titillating” or even all that “taboo”, instead it plays as a backdrop to genuine intimacy which is something we’re all starved for in one way or another as human beings.

This quest for human intimacy is all anchored by two fantastic performances from leads Louise Chevillotte and Zita Hanrot who allow for a genuine relationship to blossom and develop in a situation that while is hardly perfect given the situation, it manages to elevate above the transactional nature of their day to day lives, which happens both inside and outside of the strip club.

At the end of it all that’s really the point, because My Sole Desire isn’t about some hedonistic journey of self-discovery, it’s about being able to find some kind of human connection with another individual outside of the noise of our lives which can all be so very distracting.  This story is about daring to push past what can distract us, in order to truly find ourselves.

My Sole Desire is available on VOD and the Film Movement Plus streaming service now.

This post was written by
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
(function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){ (i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o), m=s.getElementsByTagName(o)[0];a.async=1;a.src=g;m.parentNode.insertBefore(a,m) })(window,document,'script','//www.google-analytics.com/analytics.js','ga'); ga('create', 'UA-61364310-1', 'auto'); ga('send', 'pageview');