Never Faltering: Our Review of ‘Linda Rondstadt: The Sound Of My Voice’

Posted in Movies, Theatrical by - September 27, 2019
Never Faltering: Our Review of ‘Linda Rondstadt: The Sound Of My Voice’

Someone has to be the trailblazer…

Linda Ronstadt: The Sound Of My Voice is a strong entry into the music documentary canon and shows what a quiet trailblazer she really was at this stage in the music business and how she blazed a path for so many artists after her.

Linda Ronstadt is our guide through her early years of singing Mexican canciones with her family; her folk days with the Stone Poneys; and her reign as the “rock queen” of the ‘70s and early ’80s. She was a pioneer for women in the male-dominated music industry; a passionate advocate for human rights, and had a high-profile romance with California Governor Jerry Brown. Ultimately, her singing voice was stilled by illness and forced her into retirement but her music and influence remain as timeless as ever.

While it all ultimately plays a little too affectionately towards its subject, it’s hard to deny that Linda Ronstadt: The Sound Of My Voice is a fantastically clear cut ode to the artistry and inspiration that she was for so many people.  While her singing voice may now have been taken by Parkinson’s she reminds us that her powerhouse of a voice still rings loudly and proudly.

Directors Rob Epstein and Jeffrey Friedman who have given us some powerhouse docs in the past like The Celluloid Closet & The Times of Harvey Milk have given us something that is still equally important but manages to be delightfully effortless from beginning to the end of it all.

Ronstadt while only appearing on screening very minimally does provide some voice over and we get such a truly humble glimpse at a multi-faceted artist who knew her self incredibly well.

The film tracks the musical history of Ronstadt and everyone who crossed her path in one way or another including the likes of Glenn Frey & Don Henley who would go on to form ‘The Eagles’, and that’s just the tip of the iceberg.

Sure the general purpose of the overall narrative of the film is to gush about Ronstadt, but the filmmakers take such exquisite care in making sure that it is all 100% earned through the archival material and the rich musical history that Ronstadt not only came from with her Mexican heritage but also with the music that she’s left behind for other female singer/songwriters to build off of and have the necessary confidence in their own artistry in order to succeed.

It’s hardly a ‘hard-hitting’ affair, but especially towards the end of the film when we see Ronstadt struggle through a song due to her Parkinson’s we see how Linda Ronstadt: The Sound Of My Voice is something that needs to be listened to for generations.

  • Release Date: 9/27/2019
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David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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