Hot Docs 2022: Our Review of ‘Dio: Dreamers Never Die’

Hot Docs 2022: Our Review of ‘Dio: Dreamers Never Die’

Dio: Dreamers Never Die is an honest portrait of the man, the myth and the legend that was Ronnie James Dio who quite simply worked his ass of over the course of several decades.  Not for the fame, not for the money and not even for the excesses that were so synonymous with the time; he was all about the music.

With the directing team of Don Argott and Demian Fenton at the helm who have worked on recent projects like Framing John DeLorean and Kurt Vonnegut: Unstuck In Time take us deep into the history of the man and allow us as audience members to understand the work and the drive that he had.

This isn’t your pro-typical rock doc as we see unabashedly see the man’s failures in the music business before his ultimate success.  That’s ultimately the point as we need to see the genesis of what this unique performer ultimately became and what he meant to legions of not just fans but even contemporaries in the music business.

While there is the anticipated amount of hero worship from the subjects involved it never really devolves into anything too silly as the admiration for the musical icon reigns supreme.

The archival footage is downright impressive and the film has a real flow to it as it never loses sight of trying to be entertaining in telling this story which is fitting because Dio himself in his lower moments never lost sight of his desire to be as entertaining as he possibly could be every time he hit that stage.

Dio: Dreamers Never Die is a fantastic service to the man that Ronnie James Dio was as we get a real sense of the amount of work it took for him to get to his iconic status.

  • Release Date: 4/28/2022
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David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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