Hot Docs 2020 (Online): Our Review of ‘Coded Bias’

Behaviour is taught…even when it’s not even realized…

Coded Bias doesn’t really highlight anything in the world of social and political manipulation by corporations and governments that we don’t already know about but it does serve as a cold reminder that on occasion, just maybe technology ISN’T our friend.

Coded Bias explores the fallout of MIT media lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.

The issues around facial recognition and the huge leaps that we see in technology without proper vetting or even saying out loud “Should we even use this?” is really at the heart of Coded Bias.

While director Shalini Kantayya focuses a lot of the film on the racist overtones that end up coming out of these algorithms the film also lets the subjects illustrate that so many of these new technologies are being abused at not only government but consumer levels with absolutely no regulation.

The film tends to skew a little unevenly at times between its subjects and their overall motivations but it never loses focus of the fact that in the modern world where people are craving comfort and safety, the technology that CAN provide them that is also being used against the,

Ultimately, Coded Bias brings up all the right issues that we need to be aware of going forward in dealing with technologies like this and does wave the flag that we all collectively need to be waving for regulation in these matters, it just felt like it needed to be doing it with a little more urgency.

  • Release Date: 5/28/2020
This post was written by
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
(function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){ (i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o), m=s.getElementsByTagName(o)[0];a.async=1;a.src=g;m.parentNode.insertBefore(a,m) })(window,document,'script','//www.google-analytics.com/analytics.js','ga'); ga('create', 'UA-61364310-1', 'auto'); ga('send', 'pageview');