Brutal Honesty: Our Review of ‘Alice, Darling’

It’s easy to take for granted something that tries to be honest….

In theatres and on VOD Platforms today, Alice, Darling is a stunning piece of cinema that quite frankly men need to see and understand.

Alice (Anna Kendrick) has been pushed to the breaking point by her psychologically abusive boyfriend, Simon. While on vacation with two close girlfriends, Alice rediscovers the essence of herself and gains some much-needed perspective. Slowly, she starts to fray the cords of codependency that bind her. But Simon’s vengeance is as inevitable as it is shattering – and, once unleashed, it tests Alice’s strength, her courage, and the bonds of her deep-rooted friendships.

Historically audiences are used to seeing stories of abusive relationships play out In big sweeping and often murderous beats throughout the narrative, Alice, Darling doesn’t have that, but that’s why it’s just so goddamn haunting because it’s paints an accurate and disturbing portrait of a gas lighting narcissistic sociopath and how they never quite look how we think they will.

Director Mary Nighy in concert with screenwriter Alanna Francis crafts a story that more than anything feels genuine and honest in the anxiety of living in a relationship like this.  Nighy deftly uses a lot of close ups and allows her actors moments of silence to genuinely simmer in what is going on up on the screen.  The script from Francis avoids any clichéd tropes and successfully puts us into the head space of someone who has been gas lighted into thinking that no one will ever love them (except them).

The film is never in any instant trying to force any agenda, social or otherwise because at its core, it’s about people who want their friend back from this relationship pit that she finds herself in and their fight to get her back.  It’s very much one of survival as these friends try to not isolate her from her boyfriend but make her understand what kind of a person he actually is.  It’s very much a thriller for the mind as the violence is 110% emotional in this film and these actors really make you feel it.

If this film isn’t enough proof that Anna Kendrick should be getting more dramatic roles then honestly I don’t know what to do because in her turn her as our title character she is nothing less than riveting.  Channeling some of her own personal experiences to find the character we see this persons genuine fragility laid bare for all to see.  Kaniehtiio Horn and Wunmi Mosaku do a great job as the besties in support while actor Charlie Carrick may have a problem walking around the streets of Toronto because he was just too damn good as the creepy and manipulative Simon.

At the end of it all, Alice, Darling isn’t an easy movie to watch but it’s a necessary one because it says so much more in the quiet moments in the back of our minds then it ever could have put on the screen.

  • Release Date: 2/3/2023
This post was written by
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
(function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){ (i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o), m=s.getElementsByTagName(o)[0];a.async=1;a.src=g;m.parentNode.insertBefore(a,m) })(window,document,'script','//www.google-analytics.com/analytics.js','ga'); ga('create', 'UA-61364310-1', 'auto'); ga('send', 'pageview');