TIFF 2025: Our Review of ‘John Candy: I Like Me’

Posted in Festival Coverage, TIFF 2025 by - September 11, 2025
TIFF 2025: Our Review of ‘John Candy: I Like Me’

Colin Hanks makes an intelligent move to  John Candy: I Like Me. He opens the film with an unusually introspective and emotional Bill Murray talking about his late friend. Bill talks about John’s enormous generosity, his kind-heartedness, and fierce loyalty to those he held dear, almost tearing up at a point. Then, in typical Murray fashion, he bemoans that it won’t be a decent documentary because no one will have a bad word to say about Candy, and then proceeds to create one. It’s a perfect setup for a film that both takes its subject seriously and with the level of sardonic wit that would befit a man of the stature of Candy.

The film traces the breadth of his career, from his early days in Toronto, becoming friends with other like-minded individuals, through to the launch of Second City in Toronto. Comprising the majority of that first Second City class are members of Toronto’s infamous cast of Godspell in 1972, itself celebrated in a documentary at TIFF this year, and two newcomers who were green as Murray and Candy. Utilizing mountains of footage of Candy and a plethora of famous faces reminiscing through interviews, we progress through SCTV, his launch into films, his relationship with collaborator John Hughes, and more.

All through the film, though, one thing lingers. His deep devotion to his family, and the haunting of his late father, who died at 35 and whose passing convinced John he was doomed to die young in a self-fulfilling prophecy.

This post was written by
"Kirk Haviland is an entertainment industry veteran of over 20 years- starting very young in the exhibition/retail sector before moving into criticism, writing with many websites through the years and ultimately into festival work dealing in programming/presenting and acquisitions. He works tirelessly in the world of Canadian Independent Genre Film - but is also a keen viewer of cinema from all corners of the globe (with a big soft spot for Asian cinema!)
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