Siobhán (Hermione Corfield) is a brilliant young marine biology student, more at home amidst laboratory equipment than people. As a component of her studies, she boards a trawler overseen by a couple (Dougray Scott and Connie Nielsen) whose amiable demeanour shields both financial worries and profound grief. Siobhán is not exactly welcomed aboard: her cool, scientific perspective is at odds with that of the salty, superstitious crew of “fishmen,” and her red hair is considered bad luck. Not long after setting sail, the old ship’s hull is glommed onto by a bizarre, bioluminescent creature of unknown genus.
Sea Fever is a nice character driven piece that allows some quality work from the actors while we get just enough quality visual effects to make it all pan out like it does and makes a good entry into the sea faring genre.
Writer/Director Neasa Hardiman is a veteran directorial hand and with Sea Fever we get a solid little genre effort that takes us out into the realms of the deep in a way that feels like a budget version of The Abyss and that’s a good thing.
Hermione Corfield is a solid lead and carries the action well as the likes of Dougray Scott and Connie Nielsen give it all some legit gravitas as things subsequently get worse and worse on the boat.
Sea Fever doesn’t necessarily light the world on fire, but it’s a well done genre effort that makes us look forward to what Neasa Hardiman might do next.
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper.
He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others
However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene.
Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate.
All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
