TIFF 2016: Our Review of ‘The Red Turtle’

Posted in Festival Coverage, Film Festivals, Movies, Theatrical, TIFF 2016 by - September 10, 2016

There’s something to be appreciated in the art of simplicity, but only up to a point.  The Red Turtle is a stunningly beautiful film that ultimately ends up handicapping itself as more of a piece of art then a traditional narrative.

Via a solitary man shipwrecked on a tropical island that is solely inhabited by turtles, crabs and birds we get a dialogue less fable about the stages and the milestones that we all encounter in our lives as human beings.

On one end, The Red Turtle is a unique and stunning piece of cinema.  However on the other side of that spectrum, it is just a very pretty and very silent film (it has no dialogue) that you may actually struggle to stay awake through.

Director Michael Dudok de Wit takes us into an isolated and truly humanistic world as we see are hero struggle with such basic needs as survival to things a little more complex like companionship.  It’s simplistic but truly classical and the lush visuals allow us to embrace the ride that he is trying to take us on.  There is something to be said about allowing the visuals that you have on hand tell more about a story then any dialogue any could.  However it also drags and feels a little pedantic at times as the point comes across a little quicker then Dudok de Wit would have wanted.

Be it in the gallery or in the multiplex, the beauty in this effort is simply undeniable, The Red Turtle is not going to be something that you take the kids to as it is a high brow affair from beginning to end that will spark the passion in the kid in us and conversation in the adult in us.

 

This post was written by
David Voigt is a Toronto based writer with a problem and a passion for the moving image and all things cinema. Having moved from production to the critical side of the aisle for well over 15 years now at outlets like Examiner.com, Criticize This, Dork Shelf (Now That Shelf), and to.Night Newspaper. He’s been all across the continent; serving on the FIPRESCI Jury at the Festival Du Nouveau Cinema in Montreal, covering festivals out side of Toronto like Calgary Underground Film Festival, CUFF Docs, Slamdance, Fantasia, SXSW, DOC NYC, Santa Barbara Film Festival, New York Asian Film Festival and many others However, In the uncertain world of modern film journalism, David also knew that he needed to have a hand in writing and cementing his own contributions on the global film scene. Having eclipsed the 10 year anniversary of his own outlet, In The Seats, where he’s been striving to support film (and TV) from all walks of life and his podcast “In The Seats With…” where after 5 & ½ years and over 750 episodes he’s talked with a wide variety of filmmakers, actors, behind the scenes artisans and so much more on the art of storytelling for the screen, which is spawning the launch of a new show in the Spring of 2026. “ITS: Soundtracks” will focus on the use of soundtrack and score in film which he believes is a combination that is the cinematic equivalent of Peanut Butter and Chocolate. All this as well as hosting and moderating a variety of big screen events around the city, covering film in all its forms is just a way of life for him.
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